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Symphony No. 4 (Mahler) : ウィキペディア英語版 | Symphony No. 4 (Mahler)
The Symphony No. 4 in G major by Gustav Mahler was written in 1899 and 1900, though it incorporates a song originally written in 1892. The song, "Das himmlische Leben", presents a child's vision of Heaven. It is sung by a soprano in the work's fourth and last movement. Although typically described as being in the key of G major, the symphony employs a progressive tonal scheme ('(b)/G--E').〔'Gustav Mahler' (Works), in ''New Grove'', Macmillan, 1980〕 ==Composition== Mahler's first four symphonies are often referred to as the "Wunderhorn" symphonies because many of their themes originate in earlier songs by Mahler on texts from ''Des Knaben Wunderhorn'' (The Youth's Magic Horn). The fourth symphony is built around a single song, "Das himmlische Leben". It is prefigured in various ways in the first three movements and sung in its entirety by a solo soprano in the fourth movement. Mahler composed "Das himmlische Leben" as a free-standing piece in 1892. The title is Mahler's own: in the Wunderhorn collection the poem is called "Der Himmel hängt voll Geigen" (an idiomatic expression akin to "there's not a cloud in the sky"). Several years later Mahler considered using the song in the fifth and seventh movement, the finale, of his Third symphony. While motifs from "Das himmlische Leben" are found in the Third symphony, Mahler eventually decided not to include it in that work and, instead, made the song the goal and source of his Fourth Symphony. The Fourth Symphony thus presents a thematic fulfilment of the musical world of the Third, which is part of the larger tetralogy of the first four symphonies, as Mahler described them to Natalie Bauer-Lechner. Early plans in which the Symphony was projected as a six-movement work included another Wunderhorn song, "Das irdische Leben" ("Earthly Life") as a somber pendant to "Das himmlische Leben," offering a tableau of childhood starvation in juxtaposition to heavenly abundance, but Mahler later decided on a simpler structure for the score.〔( Henry Louis de La Grange )〕
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